Skip to main content
polaroid Magazine

Polaroid  Magazine Milano  – 1986

Polaroid 50X60, the Big One

My collaboration with Polaroid in Italy began in 1986 when, at Studio 117 in Milan, the world’s largest instant camera, the Polaroid 50×60, known as The Big One, was introduced for the first time. This unique masterpiece, of which only three examples existed in the world, marked the beginning of an innovative partnership. Over the following years, this extraordinary camera traveled throughout Italy, capturing unforgettable moments and transforming the art of instant photography. In 1990, I proposed and completed an ambitious project titled Carnival in Milan, using the Polaroid 50×60 optical bench. I set up an outdoor studio in Piazza Duomo, under a tent, where I created a painted backdrop depicting a typical scene of Milan, an idea that evoked the traditions of nineteenth-century photographers. Over four intense days, I immortalized approximately 150 people in their splendid carnival costumes. The success of this project was extraordinary and led to exhibitions throughout Italy, showcasing the unique charm of Polaroid photographs and the talent behind the lens.

La Polaroid 50×60 a Ferrara  – 1994

Buskers

In realizing this project, I wanted to give Buskers the special recognition they deserve as true artists. It may seem contradictory to photograph Buskers in an artificial environment like a studio, but I made this choice because instinctively, when I photograph a person, I seek their participation in the portrait’s action. By taking the Buskers out of their usual street context and placing them in the concentrated and separate dimension of the studio, I shared with them a private space within a particular atmosphere. My purpose and challenge, in creating light and attempting to direct the action, are to find a way that will reveal something special about their inner selves while they play for me, their photographer.

What attracts me the most, beyond traditional advertising and commercial criteria, is understanding everything that is different, that belongs to so-called sub-cultures: people or groups who live, and often survive, only thanks to the passion they put into what they do.